MusicSpoke | Artist Owned Sheet Music™

About the Score

The voice is body. And the body, like the bellows of a bandoneon, breathes, strains, vibrates. In Fasciafuelle, I sought to approach choral writing from a physicality inspired by tango—stripped down, where only the gestural remains, that which pulses from within. There is no proper text, no narrative, but rather the sonic dramaturgy of muscle, of breath, of impulse. Body percussion is not ornamental: it is part of the discourse. The voices do not speak words: they graze phonemes as if brushing against sharp and incisive textures. Only towards the end does this sentence emerge, as an affirmation, but with that uncertainty that lacks time: “my skin is a bellows; my skin is tango; is my skin there? or was it?” I was drawn to formal ambiguity, to rhythm as fracture or displacement, and to a visceral expressiveness unafraid of silence or noise. Fasciafuelle is an exploration of how the body sings, when the voice becomes its very embodiment.

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