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About the Score

A setting of Dorothy Sayer's poem, "Christ the Companion" for soprano and piano. The poem asks us to confront the depth of the Incarnation in all of its particularity and strangeness.

CHRIST THE COMPANION WHEN I've thrown my books aside, being petulant and weary, And have turned down the gas, and the firelight has sufficed, When my brain's too stiff for prayer, and too indolent for theory, Will You come and play with me, big Brother Christ? Will You slip behind the book-case? Will you stir the window-curtain, Peeping from the shadow with Your eyes like flame? Set me staring at the alcove where the flicker's so uncertain, Then suddenly, at my elbow, leap up, catch me, call my name? Or take the great arm-chair, help me set the chestnuts roasting, And tell me quiet stories, while the brown skins pop, Of wayfarers and merchantmen and tramp of Roman hosting, And how Joseph dwelt with Mary in the carpenter's shop? When I drift away in dozing, will You softly light the candles And touch the piano with Your kind, strong fingers, Set stern fugues of Bach and stately themes of Handel's Stalking through the corners where the last disquiet lingers? And when we say good-night, and You kiss me on the landing, Will You promise faithfully and make a solemn tryst: You'll be just at hand if wanted, close by here where we are standing, And be down in time for breakfast, big Brother Christ?

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